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Samyang, premium makers of wide-angle lenses, developed its first autofocus lens for Nikon F mount. This is an ultrawide angle lens that takes full frames, delivering high resolution from the center to the corners of the image, all in a lightweight package. Experience the Samyang’s world-class quality in autofocus lens.

Product Planner / Hyeyoung Song

It’s the company’s first-ever autofocus lens for Nikon DSLR Full Frame cameras.
The AF 14mm F2.8 lens is developed with the Samyang Optics’ globally renowned optical technology.
This lens offers faster, accurate and also quieter auto focus performance than previous AF 14mm F2.8 lenses.
This compact ultra wide angle lens weighs only 474g without lens cap.
The lens also features weather-sealing and a build-in AF/MF switch for its usability.
With a minimum focal length of only 0.20m, it is possible to capture more vivid close-up images of portraits, pets, food, indoor and etc. anytime, anywhere.

※Setting the 'Lens aberration correction function' for Nikon cameras.

To maximize the performance of the Samyang AF 14mm F2.8 F lens, please disable the ‘Lens aberration correction function’ on your Nikon camera.
* 'Peripheral illumination correction', 'Chromatic aberration correction', 'Diffraction correction', and 'Distortion correction' from the 'Lens aberration correction function' are not supported.

Compatible camera list (click)
Technical Information
  • Specifications
    Model name AF 14mm F2.8 F
    Aperture range F2.8 ~ 22
    Lens optical construction 15 Elements in 10 Groups
    Special lens ASP 2, ED 1, HR 4
    Coating UMC
    Minium focusing distance 0.20m (0.66ft)
    Maximum maginification ratio x 0.15
    Filter size -
    Number of blades 7
    Mount Nikon F
    Angle of view Full Frame 116.6 ˚
    APS-C 92.8 ˚
    Maximum diameter 90.5mm
    Length 93.1mm
    Weight without Lens cap 474g
    Weight 523g
    Weather Sealing O
    AF/MF mode switch O
    AF Motor

    Linear stepping motor

  • MTF Chart




  • Optical construction
    Field testing the Samyang AF 14mm 2.8 F

    This lens felt like it is made with care and class. I have small hands (I am only 5”2), but the lens felt nice to hold in my hand; didn't feel heavy or bulky.

    Katrina Frazer
    AF 14mm F2.8 F

    I am happy to announce I had a sponsorship collaboration with Samyang Optics, who kindly sent me their new lens released few days ago to test it: the brand new 14mm AF Nikon. Happy I was the first in Europe to test their new 14 in AF on Nikon mount.

    Francesca Dani
    AF 14mm F2.8 F

    Samyang continues to move onwards into autofocus territory, now presenting us with their first Nikon F fit lens, the full frame AF 14mm f/2.8.

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    Samyang’s Guide to Achieving the Optimal Angle of View

    The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo? The correct answer is the diagonal length of the full frame of a subject. The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography. For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm. Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets. On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
    Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure. AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop. On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
    Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure. AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop. The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure). * How to use the “Preset Aperture Control” function?

    1) Camera Body Setting
    AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
    (2) Lens Setting
    Switch your "Custom Switch” to “Mode 2(M2)"
    (3) Now, you're ready to use the Preset Aperture Control function with your focus ring The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure). * How to use the “Preset Aperture Control” function?

    1) Camera Body Setting
    AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
    (2) Lens Setting
    Switch your "Custom Switch” to “Mode 2(M2)"
    (3) Now, you're ready to use the Preset Aperture Control function with your focus ring [What is Dolly shot?]

    A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects. [How to take a Dolly Shot simply by handheld]

    Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
    1. Stand at a distance of about 1.5 to 2 meters away from the subject.
    2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
    3. After focusing on the subject, set the aperture to F8~16.
    4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
    5. Dolly Shot complete!
    ※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

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