Exit Music: How Radiohead’s OK Computer Destroyed the Art-Pop Album in Order to Save It

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class="ContentHeaderTitleBlockWrapper-cjmSKp hzTIOl"><div data-testid="ContentHeaderRubric" class="ContentHeaderRubricBlock-LmpbT kPYdyo"><div data-testid="ContentHeaderRubricDateBlock" class="ContentHeaderRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX cStFUw rubric ContentHeaderRubricContainer-eTudtt iRsSlw"><a class="RubricLink-gRWSOU liwQmm rubric__link" href="/features/ok-computer-at-20/"><span class="RubricName-fVtemz cLxcNi rubric__name">Radiohead’s <i>OK Computer</i> at 20</span></a></div></div></div><h1 data-testid="ContentHeaderHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderHed-NCyCC iUEiRd eUsLRT jTptLg">Exit Music: How Radiohead’s <em>OK Computer</em> Destroyed the Art-Pop Album in Order to Save It</h1><span class="ContentHeaderContentDivider-liIxwf kOTubb"/></div><div class="ContentHeaderAccreditation-lfctVB etVsnJ content-header__accreditation" data-testid="ContentHeaderAccreditation"><div class="ContentHeaderDek-bIqFFZ eLbGoQ">Held up as a pillar of artistic and commercial success for the last 20 years, Radiohead’s epochal third album is an undisputed classic—but is it the last of its kind?</div><div class="ContentHeaderByline-kmPyCa emiglw"><div class="ContentHeaderBylineContent-dpPmNn DRFq"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines ContentHeaderBylines-cZqgyJ bHLeKI"><span class="BylineWrapper-jWHrLH bJNKog byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM BylineLink-gEnFiw iUEiRd iGJKQm gZRjsW eErqIx byline__name-link button" href="/staff/marc-hogan/">Marc Hogan</a></span></span></span></div><time data-testid="ContentHeaderPublishDate" datetime="2017-03-20T01:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHeaderPublishDate-eIBicG iUEiRd gqJeZi eMOiwD">March 20, 2017</time></div></div></div></div><div class="ContentHeaderLeadAsset-hGbumP fEknXh lead-asset ContentHeaderLeadAssetWrapper-hfXHEc frGrck lead-asset--width-fullbleed" data-testid="ContentHeaderLeadAsset"><figure class="ContentHeaderLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHeaderLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__content__photo"><span class="SpanWrapper-umhxW jvZaPI responsive-asset ContentHeaderResponsiveAsset-bREgIb hONbnm"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz ducRj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa ContentHeaderResponsiveAsset-bREgIb hONbnm responsive-image"><source media="(max-width: 767px)" 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class="ActionBarWrapperContent-lasBkU jrRtuw"><div class="ActionBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monitor="" class="ActionBarWrapper-dhxmQh WWdTr viewport-monitor-anchor"><button id="bookmark" aria-label="Save" class="ActionBarButton-dyFOZU fExzGY bookmark large-screen"><span class="ActionBarSecondaryButtonPrimaryIcon-isbvyN cAwccV bookmark-button-icon"><svg width="24" height="24" viewbox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg"><title>Save this story</title><path d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke="black" stroke-linecap="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActionBarButtonText-bYXYuh iUEiRd bIaSBR gkccfO">Save</span></button></div><div data-attr-viewport-monitor="" class="ActionBarWrapper-dhxmQh bZtGuw viewport-monitor-anchor"><button id="bookmark" aria-label="Save" class="ActionBarButton-dyFOZU glZrKY bookmark mobile"><span 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article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p><em>This week, we are celebrating Radiohead’s</em> OK Computer <em>with essays, videos, interviews, visual artworks, and more. Check out all of the coverage <a href="https://pitchfork.com/features/ok-computer-at-20/">here</a>.</em></p><hr/><p>In the middle of <em>Meeting People Is Easy</em>, the impressionistic documentary about <a href="https://pitchfork.com/artists/3512-radiohead/">Radiohead</a>’s captivatingly miserable world tour for <em>OK Computer</em>, Thom Yorke allows himself a rare <a href="https://youtu.be/kOuDST1uF20?t=1137"> moment</a> of hero worship. Following a triumphant late-night TV performance, as slurry shots of Times Square fill the screen, he reflects on formative inspirations like R.E.M. and the Smiths. “The freakiest thing about all of this … is the idea that you would be <em>one of those bands</em> to somebody,” he murmurs dreamily. “That thing of it being imprinted on your heart, you know? … That in itself is a reason to keep going.”</p><div><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--article-mid-content" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--article-mid-content consumer-marketing-unit__slot--in-content"/><div class="journey-unit"/></div></div><p>Then his New York City cab is seen pulling up to a nightclub, where a bouncer unceremoniously denies Yorke entry to what seems to be his own party, taunting the singer: “Radiohead! Creep! Dickhead!”</p><div class="Container-hnJNtl gxMaIG"/><p><img src="http://cdn.pitchfork.com/longform/517/OK_Inline1.jpg" alt=""/></p><div class="AdWrapper-dQtivb fZrssQ ad ad--in-content"><div class="ad__slot ad__slot--in-content" data-node-id="3ij7v"/></div><p>Radiohead—Philip Selway, Thom Yorke, Jonny Greenwood, Ed O’Brien, and Colin Greenwood—around the release of OK Computer in 1997. Photo by Jim Steinfeldt/Michael Ochs Archives/Getty Images.</p><div data-attr-viewport-monitor="inline-recirc" class="inline-recirc-wrapper inline-recirc-observer-target-1 viewport-monitor-anchor"/><p>Outspoken door guys aside, Radiohead were already becoming “one of those bands” following the release of <em>OK Computer</em> in the summer of 1997. The press hype around the record was so heaping that Yorke himself dismissed it in real time, scoffing elsewhere in the film, “It’s bollocks!” The album wasn’t just a critics’ darling, either; at this point, <em>OK Computer</em> has sold more than <a data-offer-url="http://www.nme.com/blogs/nme-blogs/radiohead-s-ok-computer-20-things-you-might-not-know-763724" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.nme.com/blogs/nme-blogs/radiohead-s-ok-computer-20-things-you-might-not-know-763724&quot;}" href="http://www.nme.com/blogs/nme-blogs/radiohead-s-ok-computer-20-things-you-might-not-know-763724" rel="nofollow noopener" target="_blank">4.5 million</a> copies worldwide. But the awkwardness of that taxi scene captures a tension that defined their appeal.</p><p>With <em>OK Computer</em>, Radiohead made their grand artistic statement and savvily got it to sell—all while pointing out the absurdities of the system they were skillfully manipulating. This tactic was particularly resonant at a time when the vocabulary of rock still dominated music media, with the innovations of electronic music lurking just left of center, and the era’s “alternative” culture giving way to unabashed pop. It was a moment unlike any other, when making a record that at once epitomized and subverted the rock-album ideal would lead to it being crowned the best album ever.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="emvdd"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p><img src="http://pitchfork-cdn.s3.amazonaws.com/longform/517/OK_Inline2.jpg" alt=""/></p><p>Ed O'Brien, Jonny Greenwood, and Thom Yorke performing at Glastonbury in 1997. Left photo by Peter Still/Redferns; right photos by Mick Hutson/Redferns.</p><p>When <em>OK Computer</em> came out, it sounded to some like rock’s future. But it also represented the latest in a hoary tradition: the classic art-pop album. First in 1998 and again in 2006, readers of the staid British music monthly<a data-offer-url="http://www.rocklistmusic.co.uk/qlistspage2.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.rocklistmusic.co.uk/qlistspage2.html&quot;}" href="http://www.rocklistmusic.co.uk/qlistspage2.html" rel="nofollow noopener" target="_blank"> <em>Q Magazine</em> </a>voted the twitching opus as the greatest album of all-time, ahead of not just R.E.M. and the Smiths, but the Beatles and the Beach Boys, too. As <em>OK Computer</em> turns 20 this year, it’s difficult to name a guitar-based full-length since that has matched its combination of critical and commercial success, along with its stylistic adventurousness. Some of the most acclaimed rock albums of the last two decades, including the Strokes’ <em>Is This It</em>, the White Stripes’ <em>White Blood Cells</em>, and Interpol’s <em>Turn on the Bright Lights</em>, drew on vintage sounds; others, like Arcade Fire’s <em>Funeral</em>, lacked <em>OK Computer</em>’s vast marketing and recording budget; none of them matched <em>OK Computer</em>’s sales numbers.</p><p>One way to explain the absence of a manifest 21st-century equivalent to <em>OK Computer</em> is that <em>OK Computer</em> was an ending point. Part of this line of reasoning has to do with the technological shifts that have affected the album format itself. British writer Tim Footman, in his 2007 book <a href="https://books.google.com/books/about/Radiohead.html?id=4Xo3AQAAIAAJ"><em>Welcome to the Machine:</em> OK Computer <em>and the Death of the Classic Album</em></a>, suggested that the modern potential for varied, customized listening experiences “helps to ensure that <em>OK Computer</em> is the last entry into the Rock Album Hall of Fame.”</p><p>Personalized playlists show up regularly on listeners’ phones today, but the idea of an album has proven to be stubbornly persistent. It is still the unit that organizes so much of the cultural discussion around music, in year-end polls, on award shows, and in streaming exclusives. As shown by the continuing flow of ambitious albums, the desire to make a complete musical statement is still alive and well, but the identities of the artists making those statements—and the musical tools they use—have changed. Radiohead’s landmark LP wasn’t the last, then. It opened the way for new firsts.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="ty9mkh"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p>Brought to you by Mailchimp</p><div data-attr-viewport-monitor="inline-recirc" class="inline-recirc-wrapper inline-recirc-observer-target-2 viewport-monitor-anchor"/><p>If <em>OK Computer</em> didn’t exist, people who think too hard about the album format would have had to invent it. Of course, the story of popular music has always been partly about technology. The standard 33 1/3 rpm vinyl LP was a breakthrough for listeners when it was introduced in 1948, more than tripling the amount of music that could be held on each side of a record. Within 10 years, overall industry revenues <a data-offer-url="http://www.nytimes.com/1958/03/16/archives/happy-tunes-on-cash-registers-record-industry-sees-tape-and-stereo.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.nytimes.com/1958/03/16/archives/happy-tunes-on-cash-registers-record-industry-sees-tape-and-stereo.html&quot;}" href="http://www.nytimes.com/1958/03/16/archives/happy-tunes-on-cash-registers-record-industry-sees-tape-and-stereo.html" rel="nofollow noopener" target="_blank">more than doubled</a>.</p><p>In the ’60s, a new class of critics started championing the pop album as “<a href="https://www.scribd.com/document/333526759/The-Pop-Rock-and-Soul-Reader">an artistic pursuit</a>” worthy of the reverence that had then been reserved for literature or classical music. The concept album emerged. But all this focus on respectability, craft, and European written traditions downplayed the populism, spontaneity, and American oral traditions that jostled for attention in the rowdy singles marketplace: Was it <em>good</em> if pop music wanted to be poetry?</p><div/><p>And there was the issue of who the critics’ emphasis on art-pop albums too often <a href="https://books.google.com/books?id=YhvBfNXvoQoC&amp;pg=PA21&amp;lpg=PA21&amp;dq=:mong+the+more+interesting+developments+in+pop+music+has+been+the+emergence+of+the+LP+record+as+the+basic+aesthetic+and+economic+unit+of+serious+white+rock%22&amp;source=bl&amp;ots=ERC6JWpNF6&amp;sig=qO_GHQVfQ8nQEEdgnOeIv69UicQ&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwi455PM9afSAhUr8IMKHS8IAIUQ6AEIIjAB#v=onepage&amp;q=%3Among%20the%20more%20interesting%20developments%20in%20pop%20music%20has%20been%20the%20emergence%20of%20the%20LP%20record%20as%20the%20basic%20aesthetic%20and%20economic%20unit%20of%20serious%20white%20rock%22&amp;f=false">left out</a>: black musicians and women. Through the entire album era, music made by innovators like Marvin Gaye, Stevie Wonder, Prince, Kate Bush, and Public Enemy had made its way into the rock-stuffed canon, but they were often the exception. (<em>OK Computer</em> landing at the top on those <em>Q</em> all-time lists is less impressive when you notice that neither had an album by a woman or person of color in the top 10—and, in the magazine’s 2006 tally, not even a woman or person of color in the top <em>30</em>.)</p><p>The term “concept album” soon traveled from critics to marketers. The Beatles opened the floodgates with <em>Sgt. Pepper’s Lonely Hearts Club Band</em>, and in the decade that followed, no shortage of bands used the pretense of “art” to sell tens of millions of records. Led by blockbusters like Pink Floyd’s <em>The Dark Side of the Moon</em>, record sales spiraled upward until 1977, when they began ticking downward.</p><p/><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL exEIep blockquote-embed"><div class="BlockquoteEmbedContent-esRbGs WujHj blockquote-embed__content"><p>It’s difficult to name a guitar-based full-length since <em>OK Computer</em> that has matched its combination of critical and commercial success, along with its stylistic adventurousness.</p></div></blockquote></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="p9699"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p>The record industry’s challenges at that time ranged from a resurgent Hollywood to arcade games, but aesthetics and technology also played a role. Among critics, the singles-oriented dawn of punk briefly <a href="https://books.google.com/books?id=JDj-AwAAQBAJ&amp;pg=PA76&amp;lpg=PA76&amp;dq=%22You+can%E2%80%99t+place+one+record+above+the+other,+not+while+you%E2%80%99re+listening%22&amp;source=bl&amp;ots=-UmWJP4oaR&amp;sig=cVtGgtAajqOWP1A-MG9LQokSdBo&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwjl0tWj_KfSAhWM34MKHXZzAKIQ6AEIIjAB#v=onepage&amp;q=%22You%20can%E2%80%99t%20place%20one%20record%20above%20the%20other%2C%20not%20while%20you%E2%80%99re%20listening%22&amp;f=false">threatened the understood hierarchy</a> of album rankings, although LPs like the Clash’s <em>London Calling</em> soon took their place in the pantheon. The spread of cassettes and CDs in the ’80s broke up the album with home taping and easier song skipping, while the rise of MTV put more attention on splashy hits than full-length works. In 1988, pop sociologist Simon Frith <a data-offer-url="https://issuu.com/pauloliver/docs/frith_-_industrialisation" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://issuu.com/pauloliver/docs/frith_-_industrialisation&quot;}" href="https://issuu.com/pauloliver/docs/frith_-_industrialisation" rel="nofollow noopener" target="_blank">warned</a> of impending doom for “the record era”—and maybe, ominously, “pop music as we know it.”</p><p>But such dire predictions were unwarranted, and albums maintained their supremacy. In 1991, Nirvana’s <em>Nevermind</em> rocketed its way to selling more than 30 million copies worldwide and generating nearly as many words of critical acclaim. And whether the playback format was vinyl or plastic, it turned out, didn’t matter so much: <em>SPIN</em>’s original <em>Nevermind</em> <a data-offer-url="http://www.spin.com/2014/04/nirvana-kurt-cobain-spin-album-reviews/140403-nirvana-nevermind/" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.spin.com/2014/04/nirvana-kurt-cobain-spin-album-reviews/140403-nirvana-nevermind/&quot;}" href="http://www.spin.com/2014/04/nirvana-kurt-cobain-spin-album-reviews/140403-nirvana-nevermind/" rel="nofollow noopener" target="_blank">review</a> gushed, “You’ll be humming all the songs for the rest of your life—or at least until your CD/tape/album wears out.” And when Radiohead first turned heads with the loud-quiet-loud angst of “Creep,” from their 1993 debut <em>Pablo Honey</em>, they soon found themselves in the thick of the grunge zeitgeist.</p><p>But rather than build on the success of “Creep” with an album of transatlantic flannel anthems—they could have been the British Stone Temple Pilots—Radiohead’s sophomore album, 1995’s <em>The Bends</em>, was gorgeously introspective, albeit lacking another conspicuous radio hit. They opened for R.E.M. and Alanis Morissette, and the record peaked on the U.S. album charts <a data-offer-url="http://www.billboard.com/artist/277326/radiohead/chart?page=1&amp;f=305" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.billboard.com/artist/277326/radiohead/chart?page=1&amp;f=305&quot;}" href="http://www.billboard.com/artist/277326/radiohead/chart?page=1&amp;f=305" rel="nofollow noopener" target="_blank">at No. 88</a>, a year after its release. The spotlight was ready—but by then Radiohead had grown used to sidestepping it.</p><div data-attr-viewport-monitor="inline-recirc" class="inline-recirc-wrapper inline-recirc-observer-target-3 viewport-monitor-anchor"/><p>Watch the OK Computer episode of our “Liner Notes” series to learn more about the making of the album.</p><p>WITH THE BAND’S THIRD ALBUM, label executives expected hits: “The Big American Crossover Album, like [U2]’s <em>The Joshua Tree</em>,” guitarist Jonny Greenwood <a data-offer-url="http://www.greenplastic.com/coldstorage/articles/melodymaker052497.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.greenplastic.com/coldstorage/articles/melodymaker052497.html&quot;}" href="http://www.greenplastic.com/coldstorage/articles/melodymaker052497.html" rel="nofollow noopener" target="_blank">recalled</a>. A few new songs they were testing out on the road, including a soaring radio-friendly track titled “Lift,” were <a href="https://books.google.com/books?id=0q9bTJp2Bi4C&amp;pg=PT240&amp;lpg=PT240&amp;dq=%22If+they%E2%80%99d+been+allowed+an+encore,+Radiohead+would+have+got+an+encore.%22&amp;source=bl&amp;ots=kcMiZJRWoe&amp;sig=FWF8mRPBbfX7chr8FMAFNmBz7O4&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwiRt_GMhqjSAhUT84MKHdz3BhoQ6AEIIjAB#v=onepage&amp;q=%22If%20they%E2%80%99d%20been%20allowed%20an%20encore%2C%20Radiohead%20would%20have%20got%20an%20encore.%22&amp;f=false">winning over audiences</a>. The group bought their own recording equipment and got to work—first in a mobile studio called Canned Applause and then in a 15th-century mansion owned by actress Jane Seymour—with producer Nigel Godrich.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="1ecdkg"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p>Well, “Lift” still <a href="https://www.youtube.com/watch?v=y3-4fK8h8ig">sounds like a festival-ready behemoth</a>—and it still <a data-offer-url="http://www.vulture.com/2016/11/plea-for-radiohead-to-finally-release-lift.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.vulture.com/2016/11/plea-for-radiohead-to-finally-release-lift.html&quot;}" href="http://www.vulture.com/2016/11/plea-for-radiohead-to-finally-release-lift.html" rel="nofollow noopener" target="_blank">hasn’t been released</a>. Radiohead’s U.S. label, Capitol, reportedly <a data-offer-url="https://citizeninsane.eu/s1998-01Option.htm" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://citizeninsane.eu/s1998-01Option.htm&quot;}" href="https://citizeninsane.eu/s1998-01Option.htm" rel="nofollow noopener" target="_blank">slashed</a> its sales projections from 2 million copies to 500,000 when it actually heard <em>OK Computer</em>. (Apparently, a Macintosh robot voice droning about frozen shit did not scream superstardom.) But the art-pop gambit would pay off for Radiohead as it had for ’70s progressive rockers, just as record sales were getting back to their concept album-era heights. Here was a band that combined Nirvana’s downtrodden sensibility with Pink Floyd’s drama.</p><p>The choice for *OK Computer’*s lead single, the six-and-a-half-minute Pixies-do-“Bohemian Rhapsody” epic “Paranoid Android,” embraced a lack of predictable marketability as its own, offbeat sort of appeal. Capitol glued promo copies inside 1,000 cassette players and sent them to the press, radio stations, and retailers. Through presaging the <a data-offer-url="http://www.nytimes.com/2002/09/16/business/mediatalk-epic-records-takes-steps-to-seal-its-newest-music.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.nytimes.com/2002/09/16/business/mediatalk-epic-records-takes-steps-to-seal-its-newest-music.html&quot;}" href="http://www.nytimes.com/2002/09/16/business/mediatalk-epic-records-takes-steps-to-seal-its-newest-music.html" rel="nofollow noopener" target="_blank"> anti-piracy measures</a> that would follow the 1999 launch of Napster, the tactic above all <a href="https://youtu.be/oiwpL3NlzZ4">indicated</a> this was an album meant to be heard in full, in headphones.</p><p><img src="http://pitchfork-cdn.s3.amazonaws.com/longform/517/Ok_Inline3b.jpg" alt=""/></p><p>Yorke eats an ice cream cone in 1994, a year after “Creep” made Radiohead international stars; photo by Andy Willsher/Redferns/Getty Images. Jonny Greenwood photo by Mick Hutson/Redferns. Black-and-white Yorke photo by Patrick Ford/Redferns.</p><p>Enter the critics. The excitement around <em>OK Computer</em> and Radiohead was so great that music writers of all stripes seemed to need capital letters: “<a data-offer-url="https://citizeninsane.eu/s1996-07-20NME.htm" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://citizeninsane.eu/s1996-07-20NME.htm&quot;}" href="https://citizeninsane.eu/s1996-07-20NME.htm" rel="nofollow noopener" target="_blank">The Last Great Sincere Rock Band.</a>” “<a data-offer-url="https://citizeninsane.eu/s1997-10Guitar.htm" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://citizeninsane.eu/s1997-10Guitar.htm&quot;}" href="https://citizeninsane.eu/s1997-10Guitar.htm" rel="nofollow noopener" target="_blank">The Next Great Arena Rock Hope</a>” “<a href="https://www.newyorker.com/magazine/1997/09/29/dadrock">The Very Big Band</a>.” A week after <em>OK Computer</em>’s July 1, 1997 U.S. release, a <a data-offer-url="http://www.greenplastic.com/coldstorage/articles/cnn.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.greenplastic.com/coldstorage/articles/cnn.html&quot;}" href="http://www.greenplastic.com/coldstorage/articles/cnn.html" rel="nofollow noopener" target="_blank">press release</a> boasted about the raves, citing a dozen critics by name. Many of the reviews, including a 10-out-of-10 exaltation from influential UK weekly <em>NME</em>, appeared to take the primacy of rock as a given. Plenty agreed with prominent critic Nick Kent, who wrote in the British monthly <em>Mojo</em>, “In 20 years time I’m betting <em>OK Computer</em> will be seen as the key record of 1997.”</p><p>By year-end list season, <em>OK Computer</em> ended up at No. 1 in several publications, and No. 2 in a handful more. It was beaten out in the <em>Village Voice</em>’s Pazz &amp; Jop poll and <em>Rolling Stone</em> only by Bob Dylan’s 30th album, <em>Time Out of Mind</em>, and in <em>SPIN</em> by British duo Cornershop’s presciently eclectic <em>When I Was Born for the 7th Time</em>. And where radio balked, early MTV support for the memorable “Paranoid Android” and “Karma Police” videos also helped with exposure. By October 1997, <em>OK Computer</em> had sold <a data-offer-url="http://www.rollingstone.com/music/news/radiohead-strike-gold-19971028" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.rollingstone.com/music/news/radiohead-strike-gold-19971028&quot;}" href="http://www.rollingstone.com/music/news/radiohead-strike-gold-19971028" rel="nofollow noopener" target="_blank">500,000</a> copies in America, reaching <a href="https://books.google.com/books?id=fQ4EAAAAMBAJ&amp;pg=PA91&amp;lpg=PA91&amp;dq=%22ok+computer%22+%22certified+platinum%22&amp;source=bl&amp;ots=TdS_KohIj1&amp;sig=d6Tc-gjOG2HIdPyvEFgezApLg3k&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwiojs_H_6PSAhVE2oMKHe36DHEQ6AEITDAI#v=onepage&amp;q=%22ok%20computer%22%20%22certified%20platinum%22&amp;f=false">one million</a> as of early 1998. This gloomy, fidgety album about alien abductions and crushed bugs was a huge sensation.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="xx7kf8"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL exEIep blockquote-embed"><div class="BlockquoteEmbedContent-esRbGs WujHj blockquote-embed__content"><p><em>OK Computer</em> marked a moment unlike any other, when making a record that at once epitomized and subverted the rock album ideal would lead it to being crowned the best album ever.</p></div></blockquote><p><em>OK Computer</em> masterfully channeled the band members’ diverse tastes, which ranged from touchstones both common and outré. There’s a live-in-the-room recording style and nods toward the Beatles, the Beach Boys, and Phil Spector, but also clear traces of composers like Italian film-score giant Ennio Morricone and Polish avant-garde luminary Krzysztof Penderecki. And it’s not hard to tell that Radiohead had been listening to the looping and splicing experiments like DJ Shadow’s <em>Endtroducing</em>…, Miles Davis’ <em>Bitches Brew</em>, and records by Krautrock titans Can and Faust. This represented the buddying omnivorousness of the times, sandwiched between Beck’s genre-defying <em>Odelay</em> in 1996 and the bluesy sprawl of OutKast’s <em>Aquemini</em> in 1998. Plus, the guitars on <em>OK Computer</em> seem tethered to pedals with minds of their own, as the lyrics turn toward otherworldly perspectives, balancing sonic gadgetry with an unease about technology’s dehumanizing potential. Yorke’s verses also have a whiff of dark humor, especially the self-parodying “Paranoid Android,” a very ambitious track that preaches how “ambition makes you look pretty ugly.”</p><div data-attr-viewport-monitor="inline-recirc" class="inline-recirc-wrapper inline-recirc-observer-target-4 viewport-monitor-anchor"/><p>Whether or not Radiohead knew it, the technological warnings implicit on <em>OK Computer</em> would soon come to pass in a way that would disrupt the idea of an album, as a commercial and aesthetic unit, forever. “A specter is haunting the music business: the prospect of listeners getting the music they want directly from the internet, free of charge,” <em>The New York Times</em> <a data-offer-url="https://partners.nytimes.com/library/tech/98/11/biztech/articles/15internet-music.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://partners.nytimes.com/library/tech/98/11/biztech/articles/15internet-music.html&quot;}" href="https://partners.nytimes.com/library/tech/98/11/biztech/articles/15internet-music.html" rel="nofollow noopener" target="_blank">cautioned</a> in 1998, echoing <a data-offer-url="https://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch01.htm" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch01.htm&quot;}" href="https://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch01.htm" rel="nofollow noopener" target="_blank"><em>The Communist Manifesto</em></a>, in an article on the budding possibilities for digital distribution, both legal and otherwise. By 1999, the same paper proclaimed: “With the internet, the idea of the album is dead.” Radiohead, it seemed, had made their classic LP just in time.</p><p><img src="http://pitchfork-cdn.s3.amazonaws.com/longform/517/OK_Inline4.jpg" alt=""/></p><p>Yorke onstage at New York’s Radio City Music Hall in 1998; photo by Ebet Roberts/Redferns. Jonny Greenwood at a London show in 1994; photo by Fred Duval/FilmMagic.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="ccqoh7"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p>In the years after the release of <em>OK Computer</em>, popular music went through another stylistic transition, with the early-’90s moment when weird alt culture could <a href="https://pitchfork.com/features/interview/8026-beck-15-years/">share a stage</a> with Céline Dion giving way to nu-metal, teen-pop, and the broadly appealing politesse of “American Idol.” Total sales for the global recording industry <a data-offer-url="https://qz.com/660141/yes-music-sales-are-growing-again-but-they-are-still-half-of-what-they-were-in-1999/" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://qz.com/660141/yes-music-sales-are-growing-again-but-they-are-still-half-of-what-they-were-in-1999/&quot;}" href="https://qz.com/660141/yes-music-sales-are-growing-again-but-they-are-still-half-of-what-they-were-in-1999/" rel="nofollow noopener" target="_blank">topped out</a> in 1999, at nearly $29 billion, and then tumbled for more than a decade. Print journalism, which had thrown all of its weight behind <em>OK Computer</em>, saw its business collapse around the same time and for similar reasons.</p><p>Pundits appear to have been right that <em>OK Computer</em> was the last of a particular kind of album, one made by guitar-centered bands interested in creating a full-length artistic statement that could achieve mainstream popularity while advancing, but not departing from, the “rock” tradition. But <em>OK Computer</em> also pointed toward a post-rock reality; on 2000’s <em>Kid A</em>, the band made the break explicit, sidelining live instrumentation in favor of a dive into oblique electronic music. Though other rock groups had dabbled in techno flourishes before, <em>Kid A</em> once again sounded like the future. And with that album, all but the most diehard rockists finally had to admit the obvious: The classic art-pop album, as embodied by <em>OK Computer</em> or <em>Dark Side of the Moon</em>, didn’t depend on guitars at all. It’s no coincidence that, while nearly all of Radiohead’s records have been well-received, <em>Kid A</em> is the only one that typically rivals <em>OK Computer</em> in the best-album-ever sweepstakes.</p><p>Rock lost what remained of its commercial and cultural centrality in the years that followed. Meanwhile, the most groundbreaking music was being made by sleekly cosmopolitan hip-hop, R&amp;B, and pop producers like Timbaland and the Neptunes. The burgeoning critical consensus that chart titans could be as significant as rock auteurs earned a name: poptimism.</p><p>There were still great art-pop albums, but, increasingly, they weren’t necessarily rock albums. Across the last 20 years, monumental rap, R&amp;B, and pop records like D’Angelo’s <em>Voodoo</em>, Kanye West’s <em>My Beautiful Dark Twisted Fantasy</em>, and Beyoncé’s <em>Lemonade</em> have filled the void of full-length statements with both artistic seriousness and mass appeal that was formerly largely occupied by guitar bands. At the same time, the ranks of professional music writers are becoming more diverse, which has no doubt also played a part in ending rock’s disproportionate stranglehold on year-end lists.</p></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan full-bleed-ad row-mid-content-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidcontent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="qds7r7"/></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ArticlePageChunksGrid-hfxaau hgViLH"><div class="GridItem-buujkM kHPPIF grid--item"><div class="BodyWrapper-kufPGa bprDJj body body__container article__body" data-journey-hook="client-content" data-testid="BodyWrapper"><div class="body__inner-container"><p>Over the last few years, the traditional album has faced new problems. In 2014, global record industry revenues hit <a data-offer-url="https://qz.com/383109/the-music-industry-has-hit-its-rock-bottom/" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://qz.com/383109/the-music-industry-has-hit-its-rock-bottom/&quot;}" href="https://qz.com/383109/the-music-industry-has-hit-its-rock-bottom/" rel="nofollow noopener" target="_blank">bottom</a>; even as they’re now crawling back up thanks to widespread streaming, it’s still not an environment for high-risk bets on albums of questionable marketability. But that hasn’t stopped some of music’s biggest names from taking huge artistic plunges—in a way, it seems as though the lowered monetary stakes have caused people like Rihanna and Beyoncé to let their inner-art-student run free. And last year, Kanye West’s <em>The Life of Pablo</em> made the definition of any specific album itself a form of artistic expression, through a number of post-release tweaks. The shape of the album to come remains to be envisioned.</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL exEIep blockquote-embed"><div class="BlockquoteEmbedContent-esRbGs WujHj blockquote-embed__content"><p>Radiohead’s parallels can be heard today less among bands whose music resembles theirs than in artists of all genres who share a certain restless audacity.</p></div></blockquote><p>In 2017, <em>OK Computer</em> sits comfortably as a cultural touchstone, its inventiveness somewhat worn down by ubiquity. It’s <a href="https://pitchfork.com/news/58975-radioheads-ok-computer-to-be-archived-in-the-library-of-congress/">ensconced</a> in the U.S. Library of Congress archive. Its songs have <a data-offer-url="https://theringer.com/radioheads-exit-music-is-the-new-hallelujah-c7e538d880b5" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://theringer.com/radioheads-exit-music-is-the-new-hallelujah-c7e538d880b5&quot;}" href="https://theringer.com/radioheads-exit-music-is-the-new-hallelujah-c7e538d880b5" rel="nofollow noopener" target="_blank">turned into</a> boilerplate TV shorthand for dystopian alienation. More disturbingly, “Karma Police” <a href="https://pitchfork.com/news/61365-british-spies-named-massive-online-surveillance-program-after-radioheads-karma-police/">provided</a> the code name for a UK mass surveillance program. Twenty years later, is <em>this</em> what we get?</p><div data-attr-viewport-monitor="inline-recirc" class="inline-recirc-wrapper inline-recirc-observer-target-5 viewport-monitor-anchor"/><p>Well, yes and no. Radiohead’s parallels can be heard today less among bands whose music resembles theirs than in artists of all genres who share a certain restless audacity; self-proclaimed fans range from rapper <a href="https://pitchfork.com/features/update/9047-danny-brown/">Danny Brown</a> to R&amp;B veteran <a href="https://pitchfork.com/features/5-10-15-20/8489-5-10-15-20-maxwell/">Maxwell</a>. Digital music has also expanded access to far-flung records, so listeners may hear <em>Kid A</em> before <em>OK Computer</em>, or the more experimental influences on both before they can be shocked by a group that <a data-offer-url="https://citizeninsane.eu/s1997-09AP.htm" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://citizeninsane.eu/s1997-09AP.htm&quot;}" href="https://citizeninsane.eu/s1997-09AP.htm" rel="nofollow noopener" target="_blank">self-identified</a> as “basically a dodgy pop band” back in 1997.</p><p><em>OK Computer</em> quickly became one of those records that tattooed itself inside of millions of people, as Yorke mused in <em>Meeting People Is Easy</em>. But first those records have to be heard, and one way of doing that in the ’90s was to create a festival-sized rock album. Confessing the hypocrisy of championing an anti-corporate message when Radiohead were playing corporate-funded MTV events while being signed to a major label, Yorke <a data-offer-url="http://www.thewire.co.uk/issues/209" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.thewire.co.uk/issues/209&quot;}" href="http://www.thewire.co.uk/issues/209" rel="nofollow noopener" target="_blank">told</a> <em>The Wire</em> in a 2001 interview: “Unfortunately, if you’re interested in actually being heard, you have to work within the system.” Naturally, he followed by subverting his own comment with a goofy German accent.</p><p>A few stories exist about the significance of <em>OK Computer</em>’s title, but the most revealing involves a corporate sponsor. “It’s like the Coca-Cola advert from the ’70s—‘I’d like to teach the world to sing,’” Yorke once <a data-offer-url="http://www.greenplastic.com/coldstorage/articles/altpress.html" class="external-link" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;http://www.greenplastic.com/coldstorage/articles/altpress.html&quot;}" href="http://www.greenplastic.com/coldstorage/articles/altpress.html" rel="nofollow noopener" target="_blank">said</a>. “Imagine the same thing with a lot of little tiny home portable computers, kids of all creeds and colors, on top of a hill, all waving back and forth, going, ‘OK Computer’ … On the surface it’s a positive and nice neat advertising slogan, but on the other side of that… it’s fucking terrifying.”</p><p>Radiohead knew how to forge a human connection but, unlike so many Don Draper wannabes, they were also well aware of that same connection’s potential for malice and exploitation. They were open-hearted doomsayers who pushed the disquieting power of classic art-pop at a critical time. They took advantage of the present while creating a strange balm for the future. They were smart. They were skeptical. They were lucky.</p><p><img src="http://pitchfork-cdn.s3.amazonaws.com/longform/517/ok_computer_fin.jpg" alt=""/></p></div></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 PaywallInlineBarrierWithWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--item"><div class="body body__inline-barrier article__body article__body--grid-margins"><div class="container container--body"><div class="container--body-inner"><aside class="PaywallInlineBarrierWrapper-iBnuqk lfXXa-D" data-testid="PaywallInlineBarrierWrapper"><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--paywall-inline-barrier" role="presentation" aria-live="polite" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--paywall-inline-barrier"/><div class="journey-unit"/></div></aside></div></div></div></div></div></div><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--item"><div class="body body__container"><div class="container container--body"><div class="container--body-inner"/></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0"><div class="GridItem-buujkM kHPPIF grid--item"><div class="ContributorsWrapper-eNpWFu fmqcZU contributors" data-testid="Contributors"><div data-testid="contributor-bio-wrapper" class="ContributorBioWrapper-bnVHbt jKWYsc"><div class="ContributorBioContent-ubQdr jZTSSi"><div class="ContributorBioHeader-ledood XOIEx"/><div class="ContributorBioBio-fBolsO ivOARj"><a href="/staff/marc-hogan/">Marc Hogan</a> has been writing for Pitchfork since 2004. Born in California, he lives in Des Moines, Iowa, via Northwestern University and Brooklyn, New York.</div><div class="ContributorBioFooter-brqDlv dMbIUd"><span class="ContributorBioTitle-kCBbCe bRGbPc">Contributor</span><div class="SocialIconsWrapper-hKMEXV ffgPVr social-icons social-icons--standard"><ul data-testid="socialIconslist" class="SocialIconsList-cHVTIA ivmblD social-icons__list"><li class="SocialIconsListItem-dembhR jTjOQe social-icons__list-item social-icons__list-item--twitter social-icons__list-item--standard"><a aria-label="Follow Marc Hogan on X" class="external-link SocialIconExternalLink-huuzOU lobXkm social-icons__link social-icons__link--twitter" data-event-click="{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https://www.twitter.com/marchogan&quot;}" href="https://www.twitter.com/marchogan" rel="noopener" target="_blank"><div class="SocialIconContainer-huXzUC pMzVC social-icons__icon-container"><svg 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src="https://assets.vogue.com/photos/5931b73d9726246adc7c3490/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-1" data-component-type="recirc-river" data-recirc-id="item-hed-1" data-recirc-pattern="summary-item" href="https://www.vogue.com/article/scarf-coats/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Lou Reed Announces "From VU to LULU" Tour</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Larry Fitzmaurice<span class="byline__name-brandname">, Vogue</span></span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;The Cure to Release First New Song in 16 Years This Week&quot;,&quot;index&quot;:1,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/the-cure-to-release-first-new-song-in-16-years-this-week/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link 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ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-2" data-component-type="recirc-river" data-recirc-id="item-hed-2" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/the-cure-to-release-first-new-song-in-16-years-this-week/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">The Cure to Release First New Song in 16 Years This Week</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Jazz Monroe</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left 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href="https://pitchfork.com/news/broken-social-scene-share-trailer-for-new-documentary-its-all-gonna-break-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fc26948841cd99e32c34f3/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc26948841cd99e32c34f3/16:9/w_240,h_450,c_limit/undefined 240w, 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class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-3" data-component-type="recirc-river" data-recirc-id="item-hed-3" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/broken-social-scene-share-trailer-for-new-documentary-its-all-gonna-break-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Broken Social Scene Share Trailer for New Documentary <em>It’s All Gonna Break</em></div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Nina Corcoran</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm jPZuXL ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="ciyu5d"/></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Ms. Lauryn Hill, Sued by Pras Over Fugees Tour Chaos, Calls Lawsuit “Baseless”&quot;,&quot;index&quot;:3,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/ms-lauryn-hill-sued-by-pras-over-fugees-tour-chaos-calls-lawsuit-baseless/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/ms-lauryn-hill-sued-by-pras-over-fugees-tour-chaos-calls-lawsuit-baseless/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-4" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcset="https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><img alt="Ms. Lauryn Hill, Sued by Pras Over Fugees Tour Chaos, Calls Lawsuit “Baseless”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.pitchfork.com/photos/66fc19f677b7cb35d32fc896/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-4" data-component-type="recirc-river" data-recirc-id="item-hed-4" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/ms-lauryn-hill-sued-by-pras-over-fugees-tour-chaos-calls-lawsuit-baseless/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Ms. Lauryn Hill, Sued by Pras Over Fugees Tour Chaos, Calls Lawsuit “Baseless”</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Jazz Monroe</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Bartees Strange Announces New Album &lt;em&gt;Horror&lt;/em&gt;, Shares Video for New Song “Sober”&quot;,&quot;index&quot;:4,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/bartees-strange-announces-new-album-horror-shares-video-for-new-song-sober-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/bartees-strange-announces-new-album-horror-shares-video-for-new-song-sober-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-5" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcset="https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><img alt="Bartees Strange Announces New Album Horror, Shares Video for New Song “Sober”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.pitchfork.com/photos/66faf534d8b3b912e28dc94d/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-5" data-component-type="recirc-river" data-recirc-id="item-hed-5" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/bartees-strange-announces-new-album-horror-shares-video-for-new-song-sober-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Bartees Strange Announces New Album <em>Horror</em>, Shares Video for New Song “Sober”</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Matthew Strauss</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Florist Announce Tour, Share New Song “This Was a Gift”&quot;,&quot;index&quot;:5,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/florist-announce-tour-share-new-song-this-was-a-gift-listen/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/florist-announce-tour-share-new-song-this-was-a-gift-listen/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-6" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcset="https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><img alt="Florist Announce Tour, Share New Song “This Was a Gift”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.pitchfork.com/photos/66fab012b092fda13ce6c81d/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-6" data-component-type="recirc-river" data-recirc-id="item-hed-6" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/florist-announce-tour-share-new-song-this-was-a-gift-listen/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Florist Announce Tour, Share New Song “This Was a Gift”</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Matthew Strauss</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Jamie xx Announces Huge International Tour&quot;,&quot;index&quot;:6,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/jamie-xx-announces-huge-international-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/jamie-xx-announces-huge-international-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-7" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcset="https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><img alt="Jamie xx Announces Huge International Tour" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.pitchfork.com/photos/66fc13745d2cf19869704f16/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-7" data-component-type="recirc-river" data-recirc-id="item-hed-7" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/jamie-xx-announces-huge-international-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Jamie xx Announces Huge International Tour</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Jazz Monroe</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Ela Minus Announces New Album, Shares Video for New Song “Broken”&quot;,&quot;index&quot;:7,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/ela-minus-announces-new-album-shares-video-for-new-song-broken-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/ela-minus-announces-new-album-shares-video-for-new-song-broken-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-8" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fc5bc92a323aec368ad46d/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc5bc92a323aec368ad46d/16:9/w_240,h_450,c_limit/undefined 240w, 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Song “Broken”</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Walden Green</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Gang of Four to Say Farewell Again With 2025 Tour&quot;,&quot;index&quot;:8,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/gang-of-four-to-say-farewell-again-with-2025-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/gang-of-four-to-say-farewell-again-with-2025-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-9" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fc4f3188f4c861f25ef5b0/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fc4f3188f4c861f25ef5b0/16:9/w_240,h_450,c_limit/undefined 240w, 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summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-9" data-component-type="recirc-river" data-recirc-id="item-hed-9" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/gang-of-four-to-say-farewell-again-with-2025-tour/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Gang of Four to Say Farewell Again With 2025 Tour</div></div></div></a><div 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href="https://pitchfork.com/news/watch-jelly-roll-perform-on-saturday-night-live-50th-season-premiere/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-10" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66f97416e310fc9b63175690/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66f97416e310fc9b63175690/16:9/w_240,h_450,c_limit/undefined 240w, 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Sony for $400 Million</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Jazz Monroe</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff rdDmT summary-item summary-item--has-rule summary-item--ARTICLE summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm crWxBO" data-item="{&quot;dangerousHed&quot;:&quot;Faye Webster Shares Video for New Song “After the First Kiss”&quot;,&quot;index&quot;:11,&quot;contentType&quot;:&quot;venue&quot;,&quot;hotelLink&quot;:&quot;https://pitchfork.com/news/faye-webster-shares-video-for-new-song-after-the-first-kiss-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1&quot;,&quot;layout&quot;:&quot;GridFourColumns&quot;}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="https://pitchfork.com/news/faye-webster-shares-video-for-new-song-after-the-first-kiss-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" aria-hidden="true" tabindex="-1" data-component-type="recirc-river" data-recirc-id="item-image-12" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW jvZaPI responsive-asset SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz gKnDpj"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gPGLdl summary-item__image responsive-image"><source media="(max-width: 767px)" srcset="https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><source media="(min-width: 768px)" srcset="https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_120,h_450,c_limit/undefined 120w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_240,h_450,c_limit/undefined 240w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_320,h_450,c_limit/undefined 320w, https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_640,h_450,c_limit/undefined 640w" sizes="100vw"/><img alt="Faye Webster Shares Video for New Song “After the First Kiss”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.pitchfork.com/photos/66fab0100111346291d2f005/16:9/w_800%2Ch_450%2Cc_limit/undefined"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX cStFUw rubric SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">News</span></div></div><a class="SummaryItemHedLink-civMjp kHqDAk summary-item-tracking__hed-link summary-item__hed-link bottom_recirc-12" data-component-type="recirc-river" data-recirc-id="item-hed-12" data-recirc-pattern="summary-item" href="https://pitchfork.com/news/faye-webster-shares-video-for-new-song-after-the-first-kiss-watch/#intcid=_pitchfork-article-bottom-recirc_adbf2ff4-b77b-4936-9e68-78017bb821d7_text2vec1" target="_self"><div data-testid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jwYeiM summary-item__hed"><div class="ClampContent-hilPkr edMVKv"><div class="SummaryItemHedTag-TWblf gxaOcP" data-testid="SummaryItemHed">Faye Webster Shares Video for New Song “After the First Kiss”</div></div></div></a><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY dKoRwD summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH jRpHUp byline bylines__byline" data-testid="BylineWrapper" itemprop="author" itemtype="http://schema.org/Person"><span itemprop="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd jjPlvX gnILss byline__preamble">By </span>Nina Corcoran</span></span></span></div></div></div></div></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"/></div></div></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan"><div 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